LeBeaux's Dance
IT’S A MASTERPIECE, AND YOU COULDN’T HAVE
HIT MY HOT BUTTONS ANY MORE PERFECTLY. DESIGN IS GORGEOUS. PICKING AND SINGING SUPERB. AND THE OLD SONGS… I’M SPEECHLESS. KUDOS AND CONGRATS TO ALL…WHAT A GIFT. —Jerry Jenkins, Author of the ‘Left Behind’ Series
SIMPLEMAN – ‘LeBeaux’s Dance’
(G1 Media Group, 2005)
You know, artists used to make LPs. They made albums—not just collections of songs, but wondrous interior journeys that kicked off Side 1 with that readily familiar radio tune, dove straightway into a lush ballad, spun into experimental-land midway through, and guided you toward intermission with a wistful side-closer. Once you caught your breath and, with trembling hand, set the stylus to Side 2’s crackling opener, you were soccer-styled into high gear with up-the-ante energy, tossed headlong into deeper balladry, juggled mercilessly between pumping instrumentals and head-spinning vocal jaunts, and, finally, sent sliding ...
HIT MY HOT BUTTONS ANY MORE PERFECTLY. DESIGN IS GORGEOUS. PICKING AND SINGING SUPERB. AND THE OLD SONGS… I’M SPEECHLESS. KUDOS AND CONGRATS TO ALL…WHAT A GIFT. —Jerry Jenkins, Author of the ‘Left Behind’ Series
SIMPLEMAN – ‘LeBeaux’s Dance’
(G1 Media Group, 2005)
You know, artists used to make LPs. They made albums—not just collections of songs, but wondrous interior journeys that kicked off Side 1 with that readily familiar radio tune, dove straightway into a lush ballad, spun into experimental-land midway through, and guided you toward intermission with a wistful side-closer. Once you caught your breath and, with trembling hand, set the stylus to Side 2’s crackling opener, you were soccer-styled into high gear with up-the-ante energy, tossed headlong into deeper balladry, juggled mercilessly between pumping instrumentals and head-spinning vocal jaunts, and, finally, sent sliding ...
